Friday, September 5, 2025

Out of the Depths (Ozymandias Style)


I cried from depths where shadowed silence lay,
And called upon the Lord to hear my voice.
No tower of stone, nor throne of men’s decay,
Could shelter souls who sin, nor grant them choice.

If He should mark the blemish of each deed,
What mortal frame could stand beneath His gaze?
Yet mercy, boundless mercy, meets our need,
And breaks the night with dawn’s redeeming rays.

I wait, as watchers wait for morning’s breath,
Through long, cold hours that echo still with dread.
Yet hope endures beyond the reach of death,
For God redeems, and lifts from guilt the dead.

Though kingdoms fall, His mercies never cease;
In Him alone lies Is-ra-el’s release.

The White Pill

When darkness spreads its cloak across the land,
And weary souls grow faint beneath its weight,
A spark of hope still glimmers, small yet grand,
That whispers soft: despair is not your fate.

The white pill waits, a quiet, steady flame,
Unbowed by storms, unbroken by the night.
It calls the fearful heart to play the game,
And teaches eyes to lift and seek the light.

Not blind to pain, nor deaf to sorrow's song,
It knows the world is marred by grief and strife;
Yet shows the path where weary hearts grow strong,
And carves from broken stone a gentler life.

So take it, friend, and let its promise fill,
There's always dawn beyond the shadowed hill.
The weary heart may rise and learn to sing,
For mercy crowns the night with gentle spring.

Through Christ who bore the weight of every sin,
The gates of grace swing wide to welcome in.
Redemption flows where once was only pain,
And broken souls find life and love again.

Tuesday, September 2, 2025

On Harry Gordon Selfridge

In the Style of Hilaire Belloc

When Harry Selfridge crossed the sea,
He brought to London’s shops a key:
“Excite the mind!” he gaily cried,
“And watch the pocket open wide.”

He bowed to guests, both rich and poor,
Though some would buy, and some ignore.
“Remember well,” he said with might,
“The customer is always right!”

“The Boss commands with frown and fear,
The Leader draws his people near.
The Boss says ‘Go!’ with whip in hand,
The Leader says, ‘We’ll walk as planned.’”

And so his store became a school,
Where goodwill was the only rule.
For quality, though dear in cost,
Outlives the price when price is lost.

He worked by day, he schemed by night,
His rival haunted every sight:
“Imagine him with devil’s grin—
What trick prepares to do me in?”

Yet from this thought no gloom arose,
But ceaseless toil and bright repose.
“There are no hard times,” he declared,
“When good ideas are well prepared.”

Thus Selfridge built with wit and art,
A temple to the shopper’s heart.
And though the years have dimmed his name,
The Leader’s creed endures the same.

Monday, September 1, 2025

The Pilgrim’s Quandary

 

I knelt, as ever, in the candle-glow,
Beads slipping slow through fingered prayer,
The incense curled, the chants did flow,
Yet—whence the Truth? Was it truly there?

Christ’s voice I heard, or thought I heard,
That kingly claim in Pilate’s hall—
“To bear the truth, to speak the Word,
I came, I come, I call, I call.”

And yet, the pews around me brimmed
With faces fixed, but seldom stirred;
Their eyes on banners, relics trimmed,
But not the flame within the Word.

The rites were fair, the vestments fine,
The creed recited, stern, complete—
Yet somewhere missed the living sign,
The wounded man cast on the street.

I marked the Samaritan—nameless, plain,
Who bent to lift, who bound, who fed;
No robe, no Latin, no ancient chain,
Yet truth seemed shining where he led.

“By fruits,” He said, “the tree is known”—
Yet here my root seemed set in stone;
Dogma sealed, but life half-grown,
A ritual husk, truth overthrown.

So what is Church? The walls, the creed?
The blood-warm hands that bind a need?
Or Christ’s own voice, that whispers still:
“Who heeds the truth shall heed My will.”

And there I stand, devout, yet torn—
Between the font where I was born,
And that wide road, untraced, untrod,
Where truth may lead—but truth is God.

The Sartorial Sleuth of Second-Hand Street

 

There once was a man, oh so neat,
With shoes polished bright and a tie crisp and sweet.
His wardrobe was dazzling, his outfits complete,
From the crown of his hat to the shine on his feet.

But here is the twist (it will give you a thrill),
He never once shopped in a shop on the hill!
Not Gucci, not Prada, not straight from the store,
He found all his treasures at the charity door.

From Oxfam to Goodwill, from Barnardo’s to more,
He scooped up the treasures the rich would ignore.
A Burberry blazer, a Ralph Lauren shirt,
A Hugo Boss jacket with barely a spurt!

Tommy Hilfiger ties and a splash of Armani,
A pair of fine loafers that once came from Barney’s.
His flair was sartorial, sharp as could be,
Yet paid only pennies, not pounds, don’t you see?

Now people would copy his dapper display,
They’d rush to the high street and pay, pay, PAY.
“Oh, look at that fellow, he’s terribly chic!”
They mimicked his outfits week after week.

But he only chuckled, a chuckle so sweet,
For his fashion was thrifted on Second-Hand Street.
And what was the lesson? It’s simple, my friend:
True style’s not the money—it’s the fun you pretend!

The Great Maya Collapse

Here—hush the hum; let History’s lamp burn white,
Deep in the jade heart where the warm rains lean;
Cities lie mute beneath the drumming night,
Pyramids moor their peaks in ocean green;
Roots braid the courts; the jaguar melts from sight,
While stone-lipped gods keep counsel, cold, unseen.
Forgot by empires, rumor, book, and chart,
They breathe in leaves and speak in dust and heart.

They counted years with stars in patient files,
A clockwork sky they courted, grave and bright;
They tuned their glyphs to thunder’s secret miles,
Set Venus like a flint for war and rite;
Corn was their blood, their labor, and their smiles,
Their king the wound that fed the hovering night—
He stung the day with obsidian and flame,
And bargained rain by pouring out his name.

Not one vast throne, but many burning towers—
Sistered yet rival—traded kiss for knife;
They wove alliances like jungle flowers
And pruned them, too, with ritual of strife;
Yet art rose greenly through those crimson hours,
And time was laced to calendar and life.
A zero bloomed—shell-quiet—perfect, round,
And made their reckonings a templed sound.

Then silence came, at first a hairline crack:
A date uncarved, a stele left half-told;
A paved way halts; the mason does not back
To lift his stone or set the shining mold.
Walls sprout in haste, crude thorns against attack;
Fine jades grow dull, bright pigments rust to mold.
The king’s voice thins; the plazas thin with fear—
A hush that even howler throats can hear.

War, once a mask, learned teeth and learned to stay;
The jaguar cloak grew matted, fierce, and torn;
Captives like dark rain littered mural day,
And vows were broken on the courts of corn.
Trade-roads went blind; the farmers kept away;
Fields learned the taste of absence more than dawn.
The serpent banners snapped in famished air—
A drum that beat, and found no answer there.

And still another knife, self-turned, was bared:
The forests fell to lime’s devouring bright;
White cities drank a thousand acres flared,
Till hills went nude and soils slid from their height.
With trunks unbound, the thunder’s gift despaired;
Dry season lengthened into iron night.
What fed their splendor bled their future dry—
Each temple chipped a furlong from the sky.

Then heaven locked its blue Pythagoras,
And drought like scripture ruled a century’s page;
Cenotes tongued with dust, and reservoirs
Crackled like lips that cannot speak for age.
Corn failed, and with it fell the calendars;
The priest-king’s smoke could not commute that wage.
He cut and called; the rain withheld reply—
The pact unthreaded where the blood ran dry.

So cities learned the grammar of goodbye:
A pot still warm; a stair half-climbed by noon;
A mother turns her face from temple sky,
And walks her children toward some smaller moon.
The jungle, patient, closed a careful eye,
Then dreamed the pyramids to seed and dune.
Roots read the stones; the parrots coined new laws,
And time resumed its older, vaster cause.

But endings are not graves for living tongues.
North on the salted wind, new markets grew;
Kukulkan’s feathered whisper combed the lungs
Of merchant oars that stitched a different blue.
And even when the iron psalter stung,
The people bent, but would not break in two:
They kept the corn, the weaving, and the word—
A music cities lost, but villages heard.

O reader, dim your lantern one more shade;
The mirror of these leaves will show your face:
A clever world on balances it made,
A hunger building monuments to grace;
Cut less of forest, spend less of the blade,
And hold some rain in trust for some dim place.
For cycles love to circle back again—
And pride climbs fastest when it smells of rain.

So let the noise fall back like evening’s foam;
We walk the green where empires learn to rest.
The silent cities are not wholly stone—
They throb in seed, in story, and in breast.
If night must teach, then let this be our home:
To count our days, and number mercy best.
For what endures is not the shouting throne,
But hands that plant, and stars that speak in bone.

The Floating City

 I

A city rose from fear and foam,
Where reeds and salt-winds be;
She piled her palaces on loam,
And wedded was to sea.
An upside-down and secret wood
Upbore her marble weight,
And every tide, with tranquil mood,
Beat time to Law and Fate.

II

No king she chose with iron crown,
But Doge in scarlet stole—
A prince constrained, held gently down
By councils’ clockwork soul.
The Lion kept his vigil stern,
Gold-winged on shield and gate;
And Ten who heard the whispers burn
Made Treason die of late.

III

O hush! The oars at dawn outcreep
From Arsenal’s red wall;
Like bees that labor while men sleep,
They arm the rose-bright gall.
From bench to bench the timbers pass,
Ropes hum, and rivets sing;
A galley blooms as through a glass—
A blossom forged of spring.

IV

The Doge upon the Bucentaur,
With ring of nuptial gleam,
Cries “Sposalizio!”—evermore
He weds thee, patient Sea.
Down sinks the gold; the ripples close;
Pale bells on water toll:
“Be thine our bread, be thine repose,
Our bulwark and our soul.”

V

But Mammon loves a holy mask,
And prudence loves disguise:
Two merchants dared a saintly task
In far Egyptian skies—
St. Mark they won, by cabbage-leaf,
By pork and pious guile;
So Venice set her Lion brief
On coin and fortress-isle.

VI

Then eastward—hark!—the morrow’s gale
Bore Crusade’s borrowed flame;
Blind Dandolo, with weathered sail,
Re-writ the sacred aim.
The Queen of Cities groaned at last,
Her bronzes torn like bread;
Three days of thunder—future, past—
And purple ashes spread.

VII

Yet spices breathed along the quay,
A dusk of clove and nard;
The Rialto weighed its perfum’d fee,
The ledgers, lean and hard.
Gondoleers in sober black
Slid under moonlit stone;
Sumptuary Night kept colors back—
Pride whispered low, alone.

VIII

The Terraferma’s dusty hand
Reached anxious to the shore;
Condottas drew in drifting sand
Thin maps of gain and war.
And still the Senate’s wary art
Unmasked the martial smile—
Brave Carmagnola played his part,
And paid the price of guile.

IX

Lepanto flamed—a cannon psalm—
The galleass, dread and high;
Chains snapped, and captive oars grew calm,
And banners bruised the sky.
But farther west a new-made chart
Bent oceans to a key;
Round Africa crept the merchant’s heart
And stole our alchemy.

X

So Beauty grew where Power waned—
Carnival’s masked accord;
Vivaldi’s viol lightly rained,
Canaletto framed a ford.
At last a thunder from the land,
Young Bonaparte’s decree—
A Doge unhelmed by trembling hand,
And silence on the sea.

XI

Yet walk, O pilgrim, where the light
On San Marco lies;
Read quarantine in marble white,
Hear banking in the cries.
From Crete to Corfu, lion-paws
Print bastions star and square;
The arsenal sleeps, but ancient laws
Still salt the evening air.

XII

And I, who sing by moon and mast,
Feel time’s obedient swell:
The City born of fear holds fast
A braver tale to tell—
That Art and Order, thrift and dream,
May over mud endure;
That Man can marry wind and stream,
And make his peril sure.

For evermore the murmuring Sea,
With slow, benignant breath,
Keeps Venice in fidelity—
A bride beyond her death.

The Architect of Unseen Engines

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